As some of you have already anticipated, because of the increasing number of exhibitors cancellations due to Covid 19, SBCINE organisators have decided this afternoon
Category: technical
Crowdfunding Cinematek
The Belgian Film Archive “Cinematek” is in desperate need of film editing tables. We at SBC think that the preservation and conservation of our work
Kommer Kleijn, on cinema frame rates
In this second part of our interview with Kommer Kleijn SBC, who recently was given the IMAGO International Honorary Member Award, we will dig a
Kommer Kleijn, a digital pioneer…
Kommer Kleijn is one of those rare people: a true genius who has made major contributions to progress in our profession. Variously a Director of
Attending the 3rd ‘Cinematography in progress’ conference
I must admit when I was asked if I could write an article about the Third International Conference on teaching and researching Cinematography, I wasn’t
The role of the Digital Imaging Technician (DIT)
In the complex world of film production and high-end TV productions, the role of the Digital Imaging Technician (DIT) can be very diverse. Depending on
3rd International Conference on teaching and researching Cinematography
3rd International Conference on teaching and researching Cinematography BRUSSELS 4, 5 and 6 of April 2019 CALL FOR PAPERS Deadline 4th of January 2019
the doctoral dissertation by Marijke Van Kets
The Emotions of a Lens A study on Cinematography and case studies on the cinematographer’s role in the cinematographic discourse of a narrative film is
Two events to attend
Two events are coming that might interest you : The British Society of Cinematographers Expo will take place from January 29 to 30, 2016
What’s new in cinema exhibition – Oslo 2015
Interview with Kommer Kleijn SBC member of the IMAGO Committee for Creative Technologies in Cinematography during the 2015 IMAGO digital cinema conference. Click here to
Cinematography in Progress
In November 2014, the Institut des Arts de Diffusion (IAD) hosted an international conference in collaboration with the Belgian Society of Cinematographers (SBC) and IMAGO,
The emotions of a lens – cinematographers talking
The first rencontre, an evening of discussion, organized by the SBC technical committee was held at the HELB school in Brussels on the 27th of
MOVI M10 test
THE MOVI M10 Freefly is available at LITES since early December . by Yves Cape. For several months now, I’ve been wanting to try the
Eye-lite presentation
On 27/03/2013 the Eye-lite group will be presenting the new ARRI Alexa XT, Sony F55, FUJINON Cabrio lenses 19-90 & 85-300 and ARRIRAW workflow. Wednesday March 27, 2013 14h
Driven by creativity videos
As filmmakers we are confronted at an ever rapid pace with new cameras , new ways to finish and show our films. How are we
Lites demo days
We are happy to announce the delivery of the new compact camera at LITES SONY F55 PL mount HD – 2K – 4K resolution
Shooting time
ShootingTime is a book that contains a collection of conversations with directors of photography from all over the world who talk about their profession in
side by side debate
For almost one hundred years there was only one way to make a movie — with film. Movies were shot, edited and projected using photochemical film. But
Propositions for analogue archiving of feature films on 35 mm film
The future of our history is now ! by Gilles Bissot Distribution and presentation of feature films will very soon become completely digital. Final distribution masters
Do we need shooting “raw” to achieve the best quality?
Do we need shooting “raw” to achieve the best quality, which are advantages, consequences and drawbacks? New technologies and updates are common on
25 fps (and other new frame rates) in digital cinemas
by Kommer Kleijn I have been asked by the Technical Committee of SBC to provide some explanations about the availability of the 25 fps projection
Arri Alexa tests
Most new digital cameras have problem with near red or infrared, resulting in magenta color shifts and milkier blacks. Vincent Visser did a test using
LPH Capelle on mixing digital formats for Un Soupçon D’innocence
by Louis Philippe Capelle. “Un soupçon d’innocence “ Olivier Peray is a director with whom I had shot two other tv movies a couple of
Oceans, an epic adventure for Luc Drion
Five years in the making, Oceans is a film that mixes documentary and fiction to bring the wonders of maritime life to the big screen. Luc Drion talks about his work on this epic undertaking.