3rd International Conference on teaching and researching Cinematography
3rd International Conference on teaching and researching Cinematography BRUSSELS 4, 5 and 6 of April 2019 CALL FOR PAPERS
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technical
the doctoral dissertation by Marijke Van Kets
The Emotions of a Lens A study on Cinematography and case studies on the cinematographer’s role in the cinematographic discourse
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Two events to attend
Two events are coming that might interest you : The British Society of Cinematographers Expo will take place from
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What’s new in cinema exhibition – Oslo 2015
Interview with Kommer Kleijn SBC member of the IMAGO Committee for Creative Technologies in Cinematography during the 2015 IMAGO digital
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Cinematography in Progress
In November 2014, the Institut des Arts de Diffusion (IAD) hosted an international conference in collaboration with the Belgian Society
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The emotions of a lens – cinematographers talking
The first rencontre, an evening of discussion, organized by the SBC technical committee was held at the HELB school in
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MOVI M10 test
THE MOVI M10 Freefly is available at LITES since early December . by Yves Cape. For several months now, I’ve
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Eye-lite presentation
On 27/03/2013 the Eye-lite group will be presenting the new ARRI Alexa XT, Sony F55, FUJINON Cabrio lenses 19-90 & 85-300 and ARRIRAW workflow.
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Driven by creativity videos
As filmmakers we are confronted at an ever rapid pace with new cameras , new ways to finish and show
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Lites demo days
We are happy to announce the delivery of the new compact camera at LITES SONY F55 PL mount HD
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Shooting time
ShootingTime is a book that contains a collection of conversations with directors of photography from all over the world who
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side by side debate
For almost one hundred years there was only one way to make a movie — with film. Movies were shot, edited and
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Propositions for analogue archiving of feature films on 35 mm film
The future of our history is now ! by Gilles Bissot Distribution and presentation of feature films will very soon become
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Do we need shooting “raw” to achieve the best quality?
Do we need shooting “raw” to achieve the best quality, which are advantages, consequences and drawbacks? New technologies
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25 fps (and other new frame rates) in digital cinemas
by Kommer Kleijn I have been asked by the Technical Committee of SBC to provide some explanations about the availability
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Arri Alexa tests
Most new digital cameras have problem with near red or infrared, resulting in magenta color shifts and milkier blacks. Vincent
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LPH Capelle on mixing digital formats for Un Soupçon D’innocence
by Louis Philippe Capelle. “Un soupçon d’innocence “ Olivier Peray is a director with whom I had shot two other
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Oceans, an epic adventure for Luc Drion
Five years in the making, Oceans is a film that mixes documentary and fiction to bring the wonders of maritime life to the big screen. Luc Drion talks about his work on this epic undertaking.
Read moreLites digital cine presentation
LITES will be holding a demonstration and a workshop of their newly acquired digital cine products. Small groups of up
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A new light for cinematographers
by André Goeffers About forty years ago, Lowell-Light¹, an American company specialized in manufacturing ultra light lighting material for cinema
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