Attending the 3rd ‘Cinematography in progress’ conference
I must admit when I was asked if I could write an article about the Third International Conference on teaching
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technical
The role of the Digital Imaging Technician (DIT)
In the complex world of film production and high-end TV productions, the role of the Digital Imaging Technician (DIT) can
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3rd International Conference on teaching and researching Cinematography
3rd International Conference on teaching and researching Cinematography BRUSSELS 4, 5 and 6 of April 2019 CALL FOR PAPERS
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the doctoral dissertation by Marijke Van Kets
The Emotions of a Lens A study on Cinematography and case studies on the cinematographer’s role in the cinematographic discourse
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Two events to attend
Two events are coming that might interest you : The British Society of Cinematographers Expo will take place from
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What’s new in cinema exhibition – Oslo 2015
Interview with Kommer Kleijn SBC member of the IMAGO Committee for Creative Technologies in Cinematography during the 2015 IMAGO digital
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Cinematography in Progress
In November 2014, the Institut des Arts de Diffusion (IAD) hosted an international conference in collaboration with the Belgian Society
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The emotions of a lens – cinematographers talking
The first rencontre, an evening of discussion, organized by the SBC technical committee was held at the HELB school in
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MOVI M10 test
THE MOVI M10 Freefly is available at LITES since early December . by Yves Cape. For several months now, I’ve
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Eye-lite presentation
On 27/03/2013 the Eye-lite group will be presenting the new ARRI Alexa XT, Sony F55, FUJINON Cabrio lenses 19-90 & 85-300 and ARRIRAW workflow.
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Driven by creativity videos
As filmmakers we are confronted at an ever rapid pace with new cameras , new ways to finish and show
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Lites demo days
We are happy to announce the delivery of the new compact camera at LITES SONY F55 PL mount HD
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Shooting time
ShootingTime is a book that contains a collection of conversations with directors of photography from all over the world who
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side by side debate
For almost one hundred years there was only one way to make a movie — with film. Movies were shot, edited and
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Propositions for analogue archiving of feature films on 35 mm film
The future of our history is now ! by Gilles Bissot Distribution and presentation of feature films will very soon become
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Do we need shooting “raw” to achieve the best quality?
Do we need shooting “raw” to achieve the best quality, which are advantages, consequences and drawbacks? New technologies
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25 fps (and other new frame rates) in digital cinemas
by Kommer Kleijn I have been asked by the Technical Committee of SBC to provide some explanations about the availability
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Arri Alexa tests
Most new digital cameras have problem with near red or infrared, resulting in magenta color shifts and milkier blacks. Vincent
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LPH Capelle on mixing digital formats for Un Soupçon D’innocence
by Louis Philippe Capelle. “Un soupçon d’innocence “ Olivier Peray is a director with whom I had shot two other
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Oceans, an epic adventure for Luc Drion
Five years in the making, Oceans is a film that mixes documentary and fiction to bring the wonders of maritime life to the big screen. Luc Drion talks about his work on this epic undertaking.
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