{"id":3931,"date":"2011-12-10T15:25:33","date_gmt":"2011-12-10T15:25:33","guid":{"rendered":"http:\/\/www.sbcine.be\/?p=3931"},"modified":"2017-11-25T14:26:10","modified_gmt":"2017-11-25T14:26:10","slug":"camerimage-2011","status":"publish","type":"post","link":"https:\/\/www.sbcine.be\/?p=3931","title":{"rendered":"camerimage 2011"},"content":{"rendered":"
\n
\n
\"by<\/a><\/dt>\n
by michel baudour<\/dd>\n<\/dl>\n<\/div>\n

Even if SBC was well represented in Camerimage this year in Bigdsoszcz with 3 \u00a0feature films: \u00a0photographed by Anton Mertens \u00a0and directed by Bavo Defurne \u00ab\u00a0North Sea Texas\u00a0\u00bb, the film photographed by J-Fran\u00e7ois Hensgens, directed by Yilmaz Arslan \u00ab\u00a0Fratricide\u00a0\u00bb, and the film photograped by Alain Marcoen directed by the Dardenne \u00ab\u00a0L\u2019Enfant au v\u00e9lo\u00a0\u00bb .The long documentary film directed by Manno Lanssens, produced by Elen De Waele (6 months shooting, 120 hours daylies, 3 lighting cameramen, Johan Legraie, Bram De Waele and Michel Baudour\u2026without light, but just available lighting ), even with all these films\u00a0: no award for us this year\u00a0\u2026<\/p>\n

\n
\n
\"northsea<\/a><\/dt>\n
north sea texas<\/dd>\n<\/dl>\n<\/div>\n

But a very documented and appreciated conference by Kommer Kleijn SBC about the high frame rates for 2D and 3D , the low light level for 3D projections, the use of high gain screens and silver screens and of course hte frame rates 25,30,50 and 60 fps and aditionnal frame rates published by ISO.<\/p>\n

All these points of vue after some information given by Constantin Seiler ( Arri-M\u00fcnich) namely the difference between sharpness and resiolution , the homogeneity of luminance on screen\u00a0( norms\u00a0: 75% in the center ), the gammaof projection, the contrast, the projection adjustment a.s.o<\/p>\n

But Camerimage is a tremendous organization, where a DOP has to go . It\u2019s really a festival created for the DOPs, the directors and people who are very near from the picture creating.<\/p>\n

A lot of film to see, coming from everywhere, but of course, mostly from Poland.<\/p>\n

\n
\n
\n

Plus CAMERIMAGE 2011 – JURY VERDICTS<\/p>\n

MAIN COMPETITION<\/p>\n

The Golden Frog:\u00a0IN DARKNESS
\ncin.\u00a0Jolanta Dylewska
\ndir. Agnieszka Holland<\/p>\n

The Silver Frog:\u00a0NADER AND SIMIN, A SEPARATION
\ncin.\u00a0Mahmoud Kalari
\ndir. Asghar Farhadi<\/p>\n

The Bronze Frog:\u00a0WUTHERING HEIGHTS
\ncin.\u00a0Robbie Ryan
\ndir. Andrea Arnold<\/p>\n

*** *** ***<\/p>\n

POLISH FILMS COMPETITION
\nunder the patronage of Plus network operator<\/p>\n

The Best Polish Film:\u00a0SUICIDE ROOM
\ncin.\u00a0Rados\u0142aw \u0141adczuk
\ndir.\u00a0Jan Komasa<\/p>\n

*** *** ***<\/p>\n

STUDENT ETUDES COMPETITION<\/p>\n

Laszlo Kovacs Student Award – The Golden Tadpole:\u00a0FINALE
\ncin.\u00a0Balazs Revesz
\ndir. Balazs Simonyi
\nFotografus Foundation and School for the Hungarian Film & Photography<\/p>\n

The Silver Tadpole:\u00a0NORMAL PEOPLE
\ncin.\u00a0Nicolas Villegas Hernandez
\ndir. Piotr Z\u0142otorowicz
\nNational \u0141\u00f3d\u017a Film School<\/p>\n

The Bronze Tadpole:\u00a0RAJU
\ncin.\u00a0Sin Huh
\ndir. Max Zahle
\nHamburg Media School<\/p>\n

*** *** ***<\/p>\n

FEATURE LENGTH DOCUMENTARY FILMS COMPETITION
\nunder the patronage of Discovery Networks CEEMEA<\/p>\n

The Golden Frog \u2014 Grand Prix:\u00a0DOCTORS
\ncin.\u00a0Tomasz Wolski
\ndir. Tomasz Wolski<\/p>\n

The Special Mention:\u00a0BLINDING
\ncin.\u00a0Steve Sanguedolce
\ndir. Steve Sanguedolce<\/p>\n

*** *** ***<\/p>\n

SHORT DOCUMENTARY FILMS COMPETITION
\nunder the patronage of Discovery Networks CEEMEA<\/p>\n

The Golden Frog \u2014 Grand Prix:\u00a0PAPARAZZI
\ncin.\u00a0\u0141ukasz \u017bal,\u00a0Piotr Berna\u015b
\ndir. Piotr Berna\u015b<\/p>\n

The Special Mention:\u00a0ARGENTINEAN LESSON
\ncin.\u00a0Wojciech Staro\u0144
\ndir. Wojciech Staro\u0144<\/p>\n

*** *** ***<\/p>\n

DIRECTORS\u2019 DEBUTS COMPETITION<\/p>\n

The Best Director Debut:\u00a0BREATHING
\ncin. Martin Gschlacht
\ndir.\u00a0Karl Markovics<\/p>\n

*** *** ***<\/p>\n

CINEMATOGRAPHERS\u2019 DEBUTS COMPETITION<\/p>\n

The Best Cinematographer Debut:\u00a0SUICIDE ROOM
\ncin.\u00a0Rados\u0142aw \u0141adczuk
\ndir. Jan Komasa<\/p>\n

*** *** ***<\/p>\n

MUSIC VIDEOS COMPETITION<\/p>\n

The Best Music Video:\u00a0MANCHESTER ORCHESTRA “SIMPLE MATH”
\ncin. Jackson Hunt
\ndir.\u00a0DANIELS<\/p>\n

The Best Cinematography in a Music Video:\u00a0DU “SO HOT”
\ncin.\u00a0Karl Erik Br\u00f8ndbo
\ndir. Karl Erik Br\u00f8ndbo, Solfrid Kjets<\/p><\/blockquote>\n<\/div>\n<\/div>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"

by michel baudour Even if SBC was well represented in Camerimage this year in Bigdsoszcz with 3 \u00a0feature films: \u00a0photographed by Anton Mertens \u00a0and directed by Bavo Defurne \u00ab\u00a0North Sea Texas\u00a0\u00bb, the film photographed by J-Fran\u00e7ois Hensgens, directed by Yilmaz Arslan \u00ab\u00a0Fratricide\u00a0\u00bb, and the film photograped by Alain Marcoen directed…<\/p>\n","protected":false},"author":89,"featured_media":3934,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"categories":[41],"tags":[336,299,301,65,353,214,305,346,354,155],"class_list":["post-3931","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festivals-awards","tag-alain-marcoen","tag-anton-mertens","tag-bavo-defurne","tag-camerimage","tag-fratricide","tag-jean-francois-hensgens","tag-jean-pierre-luc-dardenne","tag-le-gamin-au-velo","tag-michel-baudour","tag-north-sea-texas"],"_links":{"self":[{"href":"https:\/\/www.sbcine.be\/index.php?rest_route=\/wp\/v2\/posts\/3931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sbcine.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sbcine.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sbcine.be\/index.php?rest_route=\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sbcine.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3931"}],"version-history":[{"count":16,"href":"https:\/\/www.sbcine.be\/index.php?rest_route=\/wp\/v2\/posts\/3931\/revisions"}],"predecessor-version":[{"id":7063,"href":"https:\/\/www.sbcine.be\/index.php?rest_route=\/wp\/v2\/posts\/3931\/revisions\/7063"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sbcine.be\/index.php?rest_route=\/wp\/v2\/media\/3934"}],"wp:attachment":[{"href":"https:\/\/www.sbcine.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sbcine.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sbcine.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}