The Dancer by Stéphanie Di Giusto, cinematography by Benoît Debie, SBC/AFC. Synopsis : Loïe Fuller was the toast of the Folies Bergères at the turn of the 20th century and an inspiration for Toulouse-Lautrec and the Lumière Brothers. The film revolves around her complicated relationship with protégé and rival Isadora Duncan....

Synopsis : In a room with no windows on the eastern coast of Africa, an Englishman, James More, is held captive by jihadist fighters. Thousands of miles away on the Greenland Sea, Danielle Flinders prepares to dive in a submersive to the ocean floor. In their confines they are drawn back...

Six films shots by SBC members have been nominated at the 69th Cannes Film Festival in different competitions. In the official competition :  The Unknown Girl by Jean-Pierre and Luc Dardenne, shot by Alain Marcoen, SBC. Synopsis : A doctor attempts to uncover the identity of a patient who died after she...

Belgian cinematographer Benoît Debie, SBC, recently worked with Wim Wenders on Every Thing Will Be Fine and with Ryan Gosling on Lost River. Now a fixture in Gaspar Noé’s world after having filmed Irreversible and Enter the Void, Benoît Debie is once again working with the director on Love, a...

how to catch a monster A fan of the universe of Gaspard Noë, star Ryan Gosling has availed himself of the services of Benoît Debie, SBC, to create the visuals on his first, strange feature-length film that oscillates between social fable and fantasy story. “Lost River” is one of the...

Alleluia, the new film by Belgian director Fabrice du Welz, takes part in this year’s Directors’ Fortnight (15-25 May), the independent section of the Cannes Film Festival. The film was shot by Manu Dacosse. Alleluia is du Welz’s fourth film after Calvaire,Vinyan and Colt 45. Although situated once more in the Belgian Ardennes, the story...

As filmmakers we are confronted at an ever rapid pace with new cameras , new ways to finish and show our films. How are we as cinematographers driven by the fast changing technological side of our business. Does the fast pace have an influence on the creative side of film...

ShootingTime is a book that contains a collection of conversations with directors of photography from all over the world who talk about their profession in the era of the transition from analog to digital cinema. The conversations center around two main areas: ‘film language’ and ‘digital revolution’. How does each...

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