The Mexican filmmaker Michel Franco (Después de Lucia, Les Filles d’Avril, Chronic …) portrays in his new film a popular revolt in the heart of
Category: interviews
Hichame Alaouié on collaborating with François Ozon
A few months ago Hichame Alaouié received his third Magritte for best cinematography for his collaboration with Oliver Masset-Depasse on Duelles (2018). Further recent credits
Andrij Parekh ASC on Succession
Seppe Van Grieken SBC in conversation with Andrij Parekh ASC on shooting the HBO series Succession. Topics include making the show look real, how to
Dries Delputte on shooting Albatros
The lives of ten strangers intertwine when they join a weight-loss camp and are faced not only with the battle against their bodies, but also
COVID-19 Film Production Protocol
Guidelines for save film productions in Belgium.
Film students in conversation with SBC members
Students from the various Belgian film schools conducted live Q&As with SBC members on their work and style. picture by Didier Frateur sbc
A conversation between Jo Willems, Bjorn Charpentier, Virginie Surdej, Ruben Impens.
Seppe Van Grieken had an online conversation with SBC members Jo Willems, Bjorn Charpentier, Virginie Surdej and Ruben Impens on their work and films.
The Belgitude in cinematography, SBC members on their style of working.
Industry has opened doors for Belgian cinematographers on the world stage, and an increasing number are now filming international movies and TV series. But what
Christophe Nuyens SBC, ALEXA Mini LF and Technovision 1.5x Anamorphic
Christophe Nuyens SBC is currently shooting a series produced through Gaumont in Paris. Jon Fauer: You’re shooting in Full Frame with Technovision Classic 1.5x Anamorphics
Jean-François Hensgens AFC SBC on Osmosis
Osmosis is a French-language Netflix original series about a dystopian dating app. Jean-François Hensgens AFC SBC was the cinematographer. Osmosis began streaming in March 2019. Jon Fauer: What
The enigma that is Nicolas Karakatsanis
A little while ago I had the honour to spend a few hours talking to one of Belgian’s finest cinematographers. Back home for a short
The advantages of being a woman cinematographer
When I left home to study cinematography at the Insas film school, my mother brought me a gift from Great Britain: a fuchsia pink t-shirt
Kommer Kleijn, on cinema frame rates
In this second part of our interview with Kommer Kleijn SBC, who recently was given the IMAGO International Honorary Member Award, we will dig a
Frank van den Eeden on his love for filmmaking.
The SBC and Mediarte sat down with DOP Frank van den Eeden SBC,NSC to talk about past and future, his personal approach to projects and
Kommer Kleijn, a digital pioneer…
Kommer Kleijn is one of those rare people: a true genius who has made major contributions to progress in our profession. Variously a Director of
Voodoo at the boarding school in Zombie Child
Haïti, 1962. A man is brought back from the dead to be enslaved in the misery of sugar cane plantations. 55 years later, within the
Ruben Impens on Beautiful Boy
After shooting their first feature together in 2004 – Steve + Sky – Felix Van Groeningen en Ruben Impens became one of the happy marriages in Belgian
Qui m’aime me suive ! by Philippe Guilbert
Directed by José Alcala, starring Daniel Auteuil, Catherine Frot, Bernard Le Coq. I met José during the shoot of the tv series “Speakrine”. He came to see
Manu Dacosse on Laissez bronzer les cadavres
Director of Photography Manu Dacosse, SBC, recently received the Magritte award for best cinematography on the movie Laissez bronzer les cadavres, by Hélène Cattet and
The making of kursk
Under the supervision of Oscar winning DOP Anthony Dod Mantle, three SBC members worked on this production. Patrick Otten was the second unit DOP & Director / B-cam operator, Wim Michiels was responsible for the underwater shots, and Jo Vermaercke was appointed as steadicam operator / second unit dp-operator.
Bruno Degrave on “Les Rivières Pourpres”
After the two success full films based on his novels, Jean-Christophe Grangé launches his follow up of “The Crimson Rivers” “des Rivières Pourpres”, but this
The role of the Digital Imaging Technician (DIT)
In the complex world of film production and high-end TV productions, the role of the Digital Imaging Technician (DIT) can be very diverse. Depending on
The making of, the career of …KRIS DEWITTE set photographer
From an early age, photographer Kris Dewitte had a love for cinema. “When I was seven years old, I was already looking at films
Benoît Debie on filming Climax
Filmed over the course of two weeks « like doing a movie among friends”, the film Climax is faithful to the themes and style of Gaspar